How Much To Mix And Master A Song

The goal of mastering is matching a song's sonic character to that of other songs on the same album, optimizing loudness, and adding the last 5% of sonic adjustment (bass, treble, clarity, wideness). Mastering is quicker than mixing and makes less of a difference on the overall sound of your song, but is nonetheless important as a finishing touch. We will mix and master a section of your song for only $40 so you can try out our online mixing services on your own tracks. $40 Mix and Master Test Order Music Mixing Online: upload your mix session files, audio stems, or recorded tracks here.

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Hello future producers, I was wondering how much everyone charge for their services. I'm also an engineer but just need some insight on how I should go about charging for my services. I honestly think I'm selling myself to short. I use to charge 10 an hour for studio time with mixing and mastering. The equipment I'm working with is pro tools, krk rokit 5 w/ bass traps, and the blue bird mic. I'm still an amateur with this but I don't think my quality is not to bad.

I don't have a sample of my recording cuz I'm on my phone. Just need a general idea. This is that sh!t that kills the industry for professionals. Amateurs offering cut-rate mixing is effectively making the professional studio obsolete, it's really unfortunate too, i mean do you value your craft??? 10 bucks an hour isn't even enough for me to chat with an artist.

I mean you get that for working in a call center (minus taxes). If you're charging 10 bucks an hour people won't take you seriously, and when you do get to the pro level you'll lose the clients that you had at the 10 buck level because they'll feel discriminated against when you have to raise your prices. And you WILL have to raise your prices or have several side jobsMy advice, stop charging per hour and charge a flat rate for a block of time. And charge for the use of your equipment, I'd set it at something like 200 for a 5 hour block of recording. 50 bucks per song mixed, and something like 50 bucks per mic for the day.

But dont break it down that way, just tell 'em 300 for 6 hours. The extra hour is for mixing down the tracks. This is that sh!t that kills the industry for professionals. Amateurs offering cut-rate mixing is effectively making the professional studio obsolete, it's really unfortunate too, i mean do you value your craft??? 10 bucks an hour isn't even enough for me to chat with an artist. I mean you get that for working in a call center (minus taxes). If you're charging 10 bucks an hour people won't take you seriously, and when you do get to the pro level you'll lose the clients that you had at the 10 buck level because they'll feel discriminated against when you have to raise your prices.

And you WILL have to raise your prices or have several side jobsMy advice, stop charging per hour and charge a flat rate for a block of time. And charge for the use of your equipment, I'd set it at something like 200 for a 5 hour block of recording.

50 bucks per song mixed, and something like 50 bucks per mic for the day. But dont break it down that way, just tell 'em 300 for 6 hours. The extra hour is for mixing down the tracksI completely disagree. Terrible economy, music label downsizing, poor studio management, and clients getting better results with independent studio owners, home studios, and freelance engineers is making the professional studios go out of business. But definitely not obsolete.That said, I wouldn't pay $40/hr for a $300 monitors and a $400 microphone and a bunch of bass traps, and an a semi-pro engineer.I'd structure like this - $20hr with a three hour minimum. Mixing isn't free, it's time.

So they want to track for 3 hours, fine. They can mix on their own.At the same time you can make however much your clients can pay. The number is somewhere between what you're worth and what your clients think you are worth. You have to find the place where 'What you're worth' = 'What they're willing to pay'.Once you get there.

That's when you know it's a fair transaction. Only charge $10/hr if you feel your craft is truly worth $10/hr lol. At $10/hr, if I were an artist using your services I wouldn't have huge expectations. I'd expect a decently recorded product. Maybe 1-2 gems here on there that the engineer got lucky on.

If you're worth more than that. You need to charge more, and not be afraid to do it. You're WORTH it. Time really is a big deal. Think about all of the other things you could be doing with your time.Personally, I charge by the project.

I kind of have an idea of how much time it will take me to complete a task. So, if it's 2-3 songs. I charge about $150-$200.

To get more clients, right now I'm offering to do full albums for $400 - $700, depending on the degree of difficulty. I have a lot of poet clients right now, so $400 is more than sufficient to record the voice, construct the beat, mix and master.If I were to ever charge $1500-$2000 for that same project, i'd 1) put more time into making the music production perfect. 2) I'd have to up my mixing game. Right now my mixing can't compete with real professionally trained engineers.

But it's a quality enough product for general playback purposes across normal mediums and radio (which seriously isn't hard to do when you know what you're doing to an extent). The reality is that you must charge what the market will bear. It can really drive you batty trying to figure out the magic price point, and it will probably take some experimentation on your part. Try one price point for six months, then try another, compare the differences.I would recommend trying to mix on a per song fee rather than hourly. It will make it a lot easier for the client to budget things and you can lose work just because a client is afraid something might go over budget.

Mixing And Mastering Services

It just makes it easier.This is what I charge for mixing:. For full on production there are enormous variables so it really depends on the situation – it’s not quite as cut-n-dry as mixing – but it’s in the ballpark of a few grand and up per song.

How Much To Mix And Master A Song List

I charge $30 an hour for tracking. Plus equipment rental. I do a free ruff mix. Then I charge to finish the mix based on track count and complexity.

If everything is tracked perfect and it isn't over cluttered, the mixing isn't that difficult. I do a 'mastering stage' after mixing to get the loudness to compete.I think what people like about my mixes are that I don't go over-board with fx. I let the artistic image of the artist shine through. I only add modulation that is needed or asked for.

I like to use tons of analog emulation. Get everything sounding less digital as possible. I think my Ace-In-The-Hole is Slate Digital Virtual Console Collection. It does amazing things for stereo separation and analog saturation. I also like analog compressors, eqs, ect. Really get that thick analog sound.